Huntington-Theatre-Company
Given the rise of radical Islamic terrorism, Disgraced is nothing if not timely.
The humor of Toole’s novel, its enjoyment of puncturing surfaces and pretensions, has been reduced to punch-line humor and one-liners.
It is hard to figure out just what playwright Winnie Holzman is up to in Choice: is this a supernatural sit-com?
The Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
George C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.
Ether Dome is nothing if not ironic: a dire need for relief generates a mess of pain.
When it comes to race relations, America has a lot on its plate — there is no good reason to serve leftovers.
Lydia R. Diamond’s Smart People is an amusing takedown of our “post-racial” world, and it is receiving a snappy, well-acted production via the Huntington Theatre Company.
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