George Gershwin
In all, Chorus pro Musica’s production was witty and diverting, timely in spots and smart throughout
Read MoreThe Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.
Read MoreMuch more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.
Read MoreWhat I’ve learned from three years of research and listening is that the piano concerto is an ideal vehicle with which individual composers can experiment
Read MoreThis first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
Read MoreThere are still some places where the genius of George Gershwin is underappreciated, and regrettably, they include most of the concert halls in his home country.
Read MoreWhat “George Gershwin Alone” provides is a light, pleasant evening of familiar music, with playwright, pianist, and actor Hershey Felder performing excerpts from a dozen or so of Gershwin’s best-known works.
Read MoreAn alternative to the New York Times’ review of “Porgy and Bess” at the Tanglewood Festival.
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Classical Music Review/Commentary: BSO / Pianist Kirill Gerstein – Whose America?
The BSO’s Americana concert could only provide four beautiful snapshots of a very complicated landscape.
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