Justin Dello Joio’s Concerto for Piano and Orchestra, written especially for pianist Garrick Ohlsson, creates an emotionally satisfying canvas out of thorny harmonies and astringent lyricism.
Garrick Ohlsson
Classical CD Reviews: Beach & Elgar Piano Quintets, Mark Abel’s “The Cave of Wondrous Voice,” and Ibragimova plays Shostakovich
It took more than a century, but Amy Beach’s Piano Quintet has finally got the recording it deserves; it would be hard to beat the all-star line-up featured in The Cave of Wondrous Voice; and ready for some flawless Shostakovich?
Concert Review: Pianist Garrick Ohlsson at Mechanics Hall
A pianist with an uncommonly sensitive touch, Garrick Ohlsson’s playing encompasses poeticism and technical strength in just about equal measure.
Classical Music Review: Boston Symphony Orchestra — A Matter of Faulty Chemistry
While the BSO’s inventive program this week had the potential to plumb the heights and depths of human experience, Saturday’s performance generally lacked the necessary conviction, purpose, and mystery required to do so.
Classical Concert Review: Garrick Ohlsson’s Chopin
Pianist Garrick Ohlsson is helped by having unusually wide stretches in both hands. And like Chopin’s own playing, he never resorted to harshness or banging even in climactic passages. By Caldwell Titcomb Of all the musical events scheduled for this season I was most eagerly looking forward to the November 14 Symphony Hall recital by […]
Culture Vulture: Homage to Chopin
By Helen Epstein After some peculiar programming last week, Tanglewood’s current weekend got off to a rousing start on Thursday night as Garrick Ohlsson gave a haunting, introspective, and idiosyncratic performance of Chopin. The program, emotion-packed and filled with delicacies as though the pianist could not bear to leave anything out, included nocturnes and mazurkas, […]