Eric Seligman

Dance Review: Ilya Vidrin’s “Proxies” — The Opposite of Avatar

July 4, 2026
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A sensor-driven dance work probes embodiment, data, and the limits of technological intimacy.

Recent Posts

Concert Review: At Tanglewood, Tedeschi Trucks Band Turns Its Debut Into a Sweeping Musical Journey
September 4, 2026
Book Review: Sofonisba Anguissola and the Art of Attribution
September 3, 2026
Weekly Feature: Poetry at The Arts Fuse
September 3, 2026
Opera Album Review: Stenhammar’s “Tirfing” Emerges as a Scandinavian Wagnerian Treasure
September 3, 2026
Visual Arts Review: Picasso, Miró, Dalí—Between Their Pages
September 2, 2026

Popular Posts

Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
March 18, 2026
Film Review: “Obsession” — The Horror of Dating for a New Generation
May 8, 2026
Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “EPiC: Elvis Presley in Concert” – The King’s Still the Thing
February 27, 2026
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025

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