Eric Hill

Theater Review: “The Goat or, Who is Sylvia?” — Greek Tragedy, Updated to Shock

Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.

Taylor Mac and Pirandello share the same goal: reveal the deadening vacuity at the heart of bourgeois society and the male ego.

To see a production of this quality in a small theater was a privilege.

Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.