Because Eliza Griswold’s poems often take place in war zones, she’s always provocative — even when she is tendentious.
In this book, Naomi Klein shines a light on the path to a politically and economically just model of sustainability.
Michael Hofmann nicely captures our age of truthiness and alternate facts and multiple perspectives, the hollowness of everything from the news-cycle to pop-up restaurants, all of the distractions driven by money and advertising.
In his new book, poet Charles Simic employs his customary strategies, but he seldom achieves the intensity he once did.
In Frozen Charlotte, Susan de Sola provides readers with enough aesthetic pleasure and thoughtful commentary about today’s world to remind us of just how good — and necessary — poetry can be.
We will find out how much the future of the earth matters in the next Presidential election.
The Beats came before the ’60s, the decade of civil rights protests, women’s rights, the anti-war movement, and the civil strife that included riots and assassinations.
America: The Farewell Tour and American Pyschosis are well worth taking to heart — both to provide provocative perspective on what is happening and to spur us into action.
The strength of The Mars Room is its compelling vision of the stultifying and claustrophobic underworld of women in prison.
One of the fears of poets and, I imagine, all writers, is that you’ll reach a certain age and you’ll run out of gas.