An underground academic critic explores the fascinating intersections between the Kardashian sisters’ novel “Dollhouse” and Ibsen’s play “A Doll House.” The more things change …
Entertaining and provocative, this quick-witted and dreamlike evening of theater suggests that imbalances of power sacrifice individual freedoms and love. Everyone becomes a doll (master and servant) in a doll society.
Dramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed […]
A hold-onto-your seat month with some intriguing world premieres, including a musical version of a Korean folktale, an attempt to turn Aeschylus’s Prometheus Bound into a rock event, and a cerebral confab featuring Leonardo da Vinci, Michelangelo, and Machiavelli. By Bill Marx. King Lear by William Shakespeare. Directed by Michael Grandage. NT Live screens the […]