Decca
Randall Goosby’s sophomore album proves that the violinist is the real deal.
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While one is willing to grant a 27-year-old conductor some benefit of the doubt, there’s little here to suggest that the Great Nordic Hope of Classical Music isn’t simply out of his depth.
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A trio of reviews of recordings that include sadly neglected pieces by Dvořák, pianist Mitsuko Uchida’s phenomenal Diabelli Variations, and a haunting, arresting round-up of new music by the Departure Duo.
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Conductor Klaus Mäkelä may be young, but, on the merits of this set, he sure seems to be the real deal. Buckle up: this ought to be an exciting career.
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A thoughtfully conceived, technically excellent, beautifully recorded, and expressively rich album that celebrates 20th-century piano music by (mostly) American composers.
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Violinist Randall Goosby’s Roots tells a singular story, one that grows and deepens on repeated listening.
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A singer with a gleaming instrument that’s at once mighty and agile, Lise Davidsen’s drawn comparisons with some of the legendary voices of the past.
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Seiji Ozawa’s Symphony no. 7 and Leonore Overture no. 3 offers a memorable blend of color, atmosphere, purpose, and soul; François-Xavier Roth and Les Siècles serve up a satisfactory, period-instrument Symphony no. 5; Thomas Adès’ take on Beethoven is concentrated and energetic, if a bit impersonal.
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Françoix-Xavier Roth delivers a must-have cycle of Robert Schumann’s symphonies; Herbert Blomstedt’s Brahms’s Symphony no. 1 is spacious, restrained, and – too often – dull; Daniel Barenboim’s latest Elgar installment features a regrettably unsung masterpiece.
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A round-up of fresh performances of Beethoven Concerti.
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