Coolidge Corner Theatre
The provocative 1971 study of politics, religion, and sex in medieval France is back on the big screen—with its long-censored footage reinstated.
Two compelling documentaries at the Boston Palestine Film Festival trace Edward Said’s intellectual awakening and the unfinished search for justice for Alex Odeh.
Cristian Mungiu’s Palme d’Or winner asks whether understanding others requires seeing their side—or questioning our own.
Claude Lanzmann’s haunted pursuit of testimony and Henrietta Szold’s humanitarian legacy illuminate the enduring power of courage and conscience.
Preoccupied with the little melodramas of their lives and their careers in the arts, the characters in”Afire” put off acknowledging the gathering disaster that might end up at their doorstep.
While Band Aid feels authentic in its realistic depiction of contemporary relationships, its humor is consistently disarming.
Varieté will be the tenth score composed by a Sheldon Mirowitz class and played by the Berklee Silent Film Orchestra.
As this is his only work which Shakespeare himself titles ‘comedy,’ a company may feel an obligation to elicit laughter. Ironically, this duty can become burdensome.
You may be still catching up on the Academy Award, Golden Globe, People’s Choice, or SAG picks. But this month offers some rare and wonderful treats for film fans of all kinds.
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