The Commonwealth Shakespeare Company’s production of “The Two Gentlemen of Verona” is spunky and engaging — but the play is spun in one direction, away from its weird edginess.
Updated Aug. 9 at 3 p.m. In the second week of August, the power of percussion is much in evidence, with Mikael Ringquist and Marcus Santos, Manolo Mairena, Gary Fieldman, and Vicente Lebron. New Orleans adds some flavor with Christian Scott and Galactic, and Berklee Summer in the City just keeps rolling along.
Shakespeare’s “Coriolanus” deals with the difficultly of recognizing superiority at a time of radical social breakdown, specifically when it is democracy that is in extremis.
The likable Commonwealth Shakespeare Company staging leans very heavily on the comedy in ALL’S WELL THAT ENDS WELL, minimizing the Bard’s melancholic undertow.
Shakespeare’s tragic characters, on the other hand, suffer from the Christian sin of pride: knowing you aren’t God, but trying to become Him—a sin of which any of us is capable. — W. H. Auden on Othello in Lectures on Shakespeare Othello by William Shakespeare. Directed by Steven Maler. Staged by the Commonwealth Shakespeare Company […]
The Comedy of Errors by William Shakespeare. Directed by Steve Maler. Presented by Commonwealth Shakespeare Company at the Boston Common Parkman Bandstand, through August 16. Reviewed by Bill Marx Shakespeare can be punished by his own success. In “The Comedy of Errors” he juggles two sets of identical twins on stage with the dizzying aplomb […]
Yesterday, a Boston Globe editorial asked that Josiah Spaulding, Jr., president of the Citi Performing Arts Center (CPAC) be replaced. Of course he should go, but that will not solve the CPAC’s problems. Yesterday, a Boston Globe editorial asked that Josiah Spaulding, Jr., president of the Citi Performing Arts Center (CPAC) be replaced. The suggestion […]
Let me get this straight. President and CEO of the Citi Performing Arts Center (CPAC), Josiah Spaulding Jr., presides over five straight years of budget deficits and arts programming cuts, including slashing the budget of this summer’s Shakespeare on the Common production, and he earns a $1.265 million bonus. This is shameful, especially given that […]