Chloë Sevigny
Portraits of a legendary critic and modern Deadheads highlight what’s gained—and lost—when culture resists critique.
The first thing to note about the 2025 remake of “Bonjour Tristesse” is that it matches the Otto Preminger rendition with its handsome look, its sumptuous color, and the skilled cinematography of Maximilian Pittner.
One of the Provincetown Film Festival’s highlights: a documentary on the life of best-selling author Armistead Maupin.
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