Zahdi Dates and Poppies demonstrates that the formal aspects of Noh can be adapted to contemporary American themes.
Willing Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.
While American art grew bolder, larger, louder, and more ironic, David Aronson was mystical, introspective, and poetic.
The value of these two superb “operas” is learning where harpist Deborah Henson-Conant was musically (and emotionally) in the early ’80s.
Henrik Ibsen’s rejection of the everyday drives this compelling take on “Hedda Gabler” – the production generates a theatrical arena that is simultaneously acrobatic and surreal.
By Caldwell Titcomb. October 2: The Longwood Symphony Orchestra opens its 28th season, the sixth under conductor Jonathan McPhee, with a program of Sibelius and Delius. Award-winning Zina Schiff will be soloist in the demanding Sibelius Violin Concerto. Also on the program are Sibelius’s “Karelia Suite” and Delius’ lovely “Walk to the Paradise Garden.” At […]
Reviewed By Caldwell Titcomb Much attention has rightly been paid to Stephen Sondheim, who has reached the age of 80 and is the greatest composer/lyricist our country has produced. Boston University got into the act by mounting a production of Merrily We Roll Along in the large B.U. Theatre for a five-day run (April 28–May […]
By Bill Marx The prospect of holiday cheer on stage is pretty depressing to contemplate after the soporific treacle of Paula Vogel’s PC-crazed “A Civil War Christmas: An American Musical Celebration,” which culminates in the unintentionally eye-popping vision of Walt Whitman, dressed as Kris Kringle, visiting a dying Jewish soldier. For those reluctant to take […]