Boston Symphony Orchestra

Concert Review: Mahler’s “Resurrection” Symphony at Symphony Hall

October 27, 2018
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Andris Nelsons presided over an interpretation of Mahler’s Symphony #2 that was both tightly controlled and emotionally cathartic.

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Music Commentary: 2018-19 Boston Classical Music Fall Season Preview (Orchestras, Opera, and New Music, mainly)

September 24, 2018
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There’s so much going on in the area that’s good that it’s a challenge to go wrong.

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Concert Review: Tanglewood’s Leonard Bernstein Centennial Celebration Gala

August 28, 2018
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Nearly three decades after he left us, Bernstein’s music seems to be in good hands and anything but forgotten. And his larger musical influence strongly endures.

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Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement

March 22, 2018
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The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.

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Concert Review: Bernstein’s Kaddish Symphony returns to Symphony Hall

March 16, 2018
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This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.

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Concert Review: John Adams’ “Scheherezade.2” at Symphony Hall

March 2, 2018
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This weekend’s concert fires on all cylinders. Don’t miss it.

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Concert Review: Boston Symphony plays Mozart and Shostakovich

February 2, 2018
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Despite Shostakovich’s often-dissonant approach, the Fourteenth has always been highly-regarded if infrequently-played.

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Concert Review: Bermel, Prokofiev, and Strauss at Symphony Hall

December 2, 2017
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The BSO’s performance of the Alpine Symphony had purpose and direction.

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Music Commentary: “Bernstein at 100,” aka Tanglewood 2018

November 17, 2017
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In honor of what would have been Leonard Bernstein’s hundredth birthday, the Tanglewood Festival is pulling out all the stops.

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Concert Review: Beethoven and Shostakovich at Symphony Hall

October 3, 2017
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One of Andris Nelsons’ great gifts as an interpreter is his ability to shape and develop large-scale musical forms.

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