Boston Symphony Orchestra
In the right hands, Shostakovich’s Twelfth can come off as nothing less than an intriguing, lively symphonic essay.
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That rarest of Opening Nights: a program that was mostly fun and entertaining, but also substantive and artistically satisfying.
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I’ve compiled a list of twelve concerts (or concert series) that I think will stand among the future season’s highlights.
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Arguably, the strongest entry in the BSO’s complete Shostakovich symphony cycle thus far; Esa-Pekka Salonen’s 2016 Cello Concerto is emotionally direct and, at times, simply gorgeous; the resurgence of interest in the music of Boston-educated composer Florence Price is a good thing.
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The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
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The fact is, the BSO’s 2019-20 season doesn’t risk enough and lacks a true spirit of adventure.
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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The BSO recently announced an extension to artistic partner Thomas Adès’s contract. It is lucky to have him. So are the rest of us.
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Conducting Lumina, Andris Nelsons was entirely in his element, capably drawing out the music’s shimmering gestures — string flourishes, brass fanfares, woodwind filigrees, and the like – from a locked-in BSO.
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Classical Music Commentary: The Boston Symphony Orchestra’s 2020-21 Season Announcement
If ever there was a season the BSO needed to put its right foot forward — balancing the core repertory with some strong steps outside of it — this is the one.
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