Boston-Lyric-Opera
Despite all the Boston Lyric Opera pageantry and talent, “Carousel”‘s trip to the 21st century turns out to be bumpy.
Read More
“I wanted, with this opera, to see if audiences and collaborators could feel something about our changing weather, in an artistic space.”
Read More
However late the hour and however long the road ahead, the cause of standing for justice, knowledge, and freedom isn’t yet doomed. Along the way, let the arts comfort, inspire, instruct, and help lead. That’s what they’re here for.
Read More
The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
Read More
Some may continue to lament the (supposed) dearth of opera in Boston, but an honest look at these enterprising companies suggest that vivid stories are being told with invention and economy.
Read More
The Boston Lyric Opera’s production was a reminder that Puccini’s score is sure to stand the test of time, even when valiant attempts to make the opera’s storyline more palatable fall short.
Read More
We’re not saying get rid of “Madama Butterfly” We’re saying do a better Butterfly.
Read More
“We take the audience on a journey that’s not part of a traditional approach to opera.”
Read More
2022 was a year in which hybrid musical forms reached more Boston audiences than ever before. 2023 promises to open even more doors. The Place Between is no longer dangerous territory, a detour, or a side road. It has become a destination in itself.
Read More
Arts Commentary: Time to Step Off the “Carousel” of Denial
We desperately need plays and musicals — produced by local companies with courage and nerve — that acknowledge that the cancer of autocracy is here, today, and becoming stronger. That is the demand — will any answer the call?
Read More