Benjamin Britten

Book Review: “Time’s Echo” — Listening to the Voices of the Past

December 26, 2023
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Jeremy Eichler calls on hearers to engage in “deep listening,” by which he means engaging the mind and heart not just with the music, but also with the historical, cultural, and artistic contexts that gave rise to it.

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Opera Album Review: Still Haunting After All These Years — Benjamin Britten’s “The Turn of the Screw”

February 17, 2023
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A new recording of Benjamin Britten’s remarkable 1954 opera packs considerable ghostly punch.

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Concert/Stream Review: A Far Cry’s “Emergence” — Typically Eclectic

December 1, 2021
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The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.

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Opera Concert Review: Benjamin Britten’s “Curlew River” — From Woundedness to Wholeness

October 31, 2021
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With its wide-ranging textual and musical materials, this “church parable” stands as one of Benjamin Britten’s most striking creations.

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Opera Review: Boston Lyric Opera’s “The Rape of Lucretia” — Bravi Tutti

March 14, 2019
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.

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Classical CD Reviews: Arabella Steinbacher plays Britten and Hindemith and Daniil Trifonov’s “Chopin Evocations”

September 22, 2017
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Hindemith and Britten could hardly have asked for more committed advocates than Steinbacher, Jurowski, and the RSOB.

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Classical CD Reviews: Emerson Quartet plays Purcell and Britten and Mozart in Havana

June 16, 2017
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The Emerson Quartet is as restless and curious as ever; pianist Simone Dinnerstein is featured on a treasure of a disc.

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Classical CD Reviews: James MacMillan conducts Vaughan Williams, MacMillan, and Britten and Boston Lyric Opera’s “Clemency”

July 30, 2015
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Two recent albums feature compositions by James MacMillan, one of Europe’s leading composers, as well as an opportunity to hear him conducting.

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Jazz Commentary Series: Jazz and the Piano Concerto — Mavericks, 1938-1983

April 4, 2015
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More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.

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Classical Concert Review: The Boston Symphony Orchestra — A Searing Rendition of Benjamin Britten’s “War Requiem”

November 11, 2013
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In sum, this was one of those rare concerts in which everything clicked, musically and dramatically.

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