The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
With its wide-ranging textual and musical materials, this “church parable” stands as one of Benjamin Britten’s most striking creations.
The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
Hindemith and Britten could hardly have asked for more committed advocates than Steinbacher, Jurowski, and the RSOB.
The Emerson Quartet is as restless and curious as ever; pianist Simone Dinnerstein is featured on a treasure of a disc.
Two recent albums feature compositions by James MacMillan, one of Europe’s leading composers, as well as an opportunity to hear him conducting.
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
In sum, this was one of those rare concerts in which everything clicked, musically and dramatically.
Reviewed By Caldwell Titcomb The Boston Lyric Opera (BLO) initiated this week what it calls Opera Annex by moving out of its usual venue for its production of Benjamin Britten’s opera The Turn of the Screw. The site chosen was the Park Plaza Castle, built in 1891 as a Boston armory.
By Caldwell Titcomb Feb. 3, 5, 6: The Boston Lyric Opera (BLO) stages Benjamin Britten’s “Turn of the Screw,” based on Henry James’ tense ghost story. Conducted by Andrew Bisantz. The singers and production staff are all making their BLO debuts. The Castle at Boston Park Plaza & Towers, 130 Columbus Avenue, Boston. 7:30 p.m.