Under the baton of Andris Nelsons, a listless Boston Symphony Orchestra delivered flat renditions of works by Shostakovich and Brahms.
Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
The orchestra’s summer home is operating at reduced capacity this season, but it’s wonderful to have the BSO and its public reunited.
Marc Minkowski’s recording of Jacques Offenbach’s La Périchole pays the composer a handsome tribute in his birthday year; violinist Baiba Skride’s new all-Bartók disc is one of the year’s best.
The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
JoAnn Falletta’s recording of Schreker’s orchestral works is fantastic; Manfred Honeck and his Pittsburgh Symphony make Beethoven’s Eroica Symphony shocking again, and Baiba Skride proves a strong advocate for Miklós Rózsa’s Violin Concerto.