Andris Nelsons
The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
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Conducting Lumina, Andris Nelsons was entirely in his element, capably drawing out the music’s shimmering gestures — string flourishes, brass fanfares, woodwind filigrees, and the like – from a locked-in BSO.
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As good an interpreter of large-scale forms as he’s becoming, Andris Nelsons has always been a terrific conductor of new music.
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Andris Nelsons presided over an interpretation of Mahler’s Symphony #2 that was both tightly controlled and emotionally cathartic.
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Nearly three decades after he left us, Bernstein’s music seems to be in good hands and anything but forgotten. And his larger musical influence strongly endures.
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Four new albums: the standouts include the finest Andris Nelsons/BSO Shostakovich collaboration to date and the Neave Trio’s wonderful new French Moments.
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Andrew Manze and the RLPO have turned in one of the year’s great albums: potent, lyrical, haunting, and timely.
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Variations and fugues are the overriding themes of pianist/composer Michael Brown’s captivating new album. If you’re an Andris Nelsons fan, this Deutsche Grammophon album won’t disappoint, and a disc that features three pieces by composer Ferdinand Ries, who was friendly with Beethoven, is worth hearing.
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The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
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Arts Commentary: The Boston Symphony’s 2019-20 Season Announcement
The fact is, the BSO’s 2019-20 season doesn’t risk enough and lacks a true spirit of adventure.
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