American poetry

Book Review: Ada Limón’s “Against Breaking” — Faith in Poetry or Faith as Poetry?

April 12, 2026
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In praising poetry’s power, Ada Limón leaves clarity—and craft—behind.

Poetry Review: Joanna Fuhrman’s “Data Mind” — The Algorithm That Ate America

January 25, 2025
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“Data Mind” contains a spiritual blessing — it teaches us how to praise life in a universe that is so broken it is determined to erase our humanity.

Theater Review: “Robert Frost: This Verse Business” — Friendly to a Fault

February 9, 2020
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The overall effect is one of a genial, superficial club lecture on reading and writing poetry, punctuated by Frost’s Greatest Hits.

Poetry Review: “A Word For It” — Poetry, From out of the Dictionary

December 14, 2017
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Warren Slesinger’s approach to poetry is experimental but skillful as well as entertaining.

Book Review: “The Songs We Know Best” — The Youth of Poet John Ashbery

August 3, 2017
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This book captures — beautifully — poet John Ashbery’s youth and dreams and struggles.

Film Review: “Paterson” — A Very Ordinary Visionary

January 23, 2017
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Paterson is a movie about how ordinary it may be to see the world in a grain of sand.

Book Review: “The Hatred of Poetry” — Thinking the Worst About Verse

August 25, 2016
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The Hatred of Poetry claims to explore our culture’s rampant animosity toward the entire art form.

Arts Remembrance: Poet Philip Levine — A Voice of Muscle and Grit

February 16, 2015
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Last Saturday, poet Philip Levine died at the age of 87 in Fresco, California. Here is a reprint of an Arts Fuse appreciation of the writer, originally posted in May of last year.

Arts Remembrance: Galway Kinnell — “The Cadence of Vanishing”

November 1, 2014
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Galway Kinnell served as the Poet Laureate of Vermont and penned a number of poems, which often took the form of pastoral ramblings, that celebrated his appreciation of the rural life.

Poetry Review: Portrait of a Predicament

August 26, 2011
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I wouldn’t be writing this review or asking you to read this book if I didn’t believe that McLane were up to something far more radical and also far more difficult to reckon with—something I am not even sure I can account for. The most significant quality of the poetry in “World Enough” is a profound and unapologetic ambiguity.

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