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An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreCutting edge scholar Dániel Margócsy has penned a fascinating study about the early collisions of art, profit, and science.
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Too many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
Read MoreAs for new independent films, producer Christine Vachon noted that each generation requires fresh stories and comparisons with a ‘golden’ age of filmmaking are irrelevant.
Read MoreMay Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
Read More[Updated.] Arts Fuse critics select the best in dance, music, and film that’s coming up this week.
Read MoreThe Conservatory’s Contemporary Improvisation program is one of the best things we have in New England music, and if you’ve lived for any length of time in the Boston area without attending one of its concerts, you’ve missed an important experience.
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We built this form of democracy and now we must stand up to what it’s become and say “I don’t consent to this.”
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“We have much less protection over our right to vote than most people think.”
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Cultural Commentary: Things Get Worse at the Boston Globe and Elsewhere — More Arts Criticism Bites the Dust
Many of today’s arts editors and reviewers embrace a lilliputian vision of arts criticism; they accept a crabbed sense of its possibilities.
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