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How well Conversations with Beethoven works as fiction will depend on the engagement and imaginative powers of the reader.
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In her new album, Juliana Hatfield’s concerns are comeuppance, self-abasement, and the depravity of those who revel in the power to make decisions that can adversely affect others.
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Rev William Barber II has effectively demonstrated again and again what he often calls “fusion politics” across lines of race, age, and religion.
Read MoreLydia R. Diamond’s Smart People is an amusing takedown of our “post-racial” world, and it is receiving a snappy, well-acted production via the Huntington Theatre Company.
Read MoreIn 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
Read MoreIn a period of radicalism and terrorism, this installation serves as a beacon for remembering the beauty of the best of Islamic creative culture.
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The theme may be Black love, but the dramatist is too smart not to invite all of us to consider (or perhaps even reconsider) our personal definitions of what love means and how that changes the ways we relate to each other.
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The Ash Family is a full-color illustration of how the modern world leaves people vulnerable to radical ideas.
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The book provides ample proof that activist artists, when determined, can use their work to influence our thinking in positive ways, and effect change.
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