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2022 was a year in which hybrid musical forms reached more Boston audiences than ever before. 2023 promises to open even more doors. The Place Between is no longer dangerous territory, a detour, or a side road. It has become a destination in itself.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Read MoreArts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreIf the verse in UNSEEN HAND refuses triumphant fictions, there is an attentive, persevering dignity in its preference for seriality. Because these recurring poems recreate our being in the world, they are powerful tools for returning to it.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreArts Fuse critics select the best in film, theater, music, visual arts, and author events for the coming week.
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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If you don’t know those 1969 originals, get them and listen to them. And if you know the recordings well, listen to them again. No matter how familiar this 50-year-old music is to you, you’ll be struck by its timelessness.
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John Giorno was in the vanguard of what later became the herd: Ginsberg, Kerouac, Warhol, Buddhism, Burroughs, enlightenment, spiritual quests to India, unfettered sex, wild poetry, new technology, experimental forms of expression, queer politics, pot, speed, LSD — all the household bric-a-brac of the counterculture.
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