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“The space between fantasy and reality is a very charged one. Fiction can explore that, which might be one reason why I’m so drawn to it as a form.”
Read MoreFuse film critic Tim Jackson picks the best of the past year in movies, a round-up that includes some grievously overlooked documentaries, independent, and foreign films.
Read MoreReviewed By Helen Epstein An hour and a half before curtain, operagoers are lining up at the AMC 10 cineplex in Burlington, Massachusetts across the road from the mall. Forty-five minutes later, the only available seats in Theater 3 are in the first two neck-craning rows. It’s 12:15 p.m., a sunny Saturday in February when…
Read MoreIt’s easy, and popular, to write director Wes Anderson off as a hipster who offers nothing beyond quirk and the occasional funny line. But his films are really American versions of the French New Wave. by Justin Marble “He redeemed himself.” “Redemption? Sure. But in the end, he’s just another dead rat in a garbage…
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The Legacy Museum draws on a passionate and visceral mix of architecture, graphics, text, art, music, video and spoken word to prove that — ever since the time of slavery — white views on race have distorted the presumed fairness of our legal system.
Read MoreWe Bostonians are a tough bunch and the Remains had a tough sound. That’s what Boston music should be remembered for.
Read MoreTo his credit, Garry Wills does not attempt to tell us what Shakespeare or his contemporaries “really meant,” nor does he suggest that there are ways that these plays ought be staged.
Read MoreThe truth is that the music of this most politically aware and morally astute of composers needs – and deserves – much wider currency.
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Fuse Commentary: Arts Criticism Isn’t Free — Support The Arts Fuse!
Those who care about the future of American arts and culture should financially support this magazine and other valiant efforts to articulate the significance of the arts.
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