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“Master Lovers” is written in a lucid, personable style, and the fictional scenes — David Winner’s recreations of history and imagined trysts — are deft, believable, and vividly imagined.
Read MoreEach of the paintings in Anne Leone’s Cenote Series shows the water’s surface, always from below. The world of air is invisible to us, off limits, mysterious. This membrane between worlds appears closed, but is easily pierced by the swimmers, resealing itself each time they rise and plunge.
Read MoreEven without museum commentary, Native Fashion Now is an important show – visually, socially, and politically.
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How well or how poorly are we paying homage to our jazz ancestors? Some graves are worthy places of pilgrimage. Others are neglected . . . or unknown.
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I wish this catalogue spelled out John Singer Sargent’s professional stance as a “juste milieu” painter more methodically. That term refers to those eager to be associated with new stylistic tendencies yet careful not to transgress the establishment’s norms.
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Our critics supply their TV favorites of 2024.
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In her insightful commentaries and art, Hana Miletić demonstrates how labor and materiality reflect subtexts of power, ranging from the “soft” to the “hard.”
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In his letters, Irish poet Seamus Heaney’s tone, and the expanse of his openness, varies according to the addressee — but his approach to all is inevitably marked by seriousness and elegance.
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Theater Commentary: Twenty Years Ago — Stonewalling Charges of Sexual Harassment
These articles dramatize, sadly, who was listened to and who wasn’t when sexual allegations were made against playwright Israel Horovitz in the early ’90s.
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