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At the Global Cinema Film Festival, some look for love and life in all the wrong places.
Read MoreBetye Saar’s assemblages and travel sketchbooks are rich in references and symbols; they are mysterious and introspective, more spiritual than political.
Read MoreThe composer of Cavalleria rusticana brought his sense for characterization and drama to the all-too-plausible tale of a woman victimized by a cad.
Read MoreThe rewards of these and other recordings provide ample proof that, with its shape-shifting qualities, the string quartet will continue to be a powerful asset for talented jazz composers.
Read MoreThe new musical by Jeanine Tesori and David Lindsay-Abaire is a show that everyone who believes in the artistic future and emotional power of the American musical will want to see.
Read MorePlaying on their strengths and working within the limitations of each medium, both The Dropout and Bad Blood pull us into the very American story of Theranos’ and Holmes’ rise and fall.
Read MoreNeither book is primarily directly about the war itself. Rather, in sometimes oblique ways, they show the price paid by Ukraine’s non-combatant civilians.
Read MoreAmerican Radicals is as revealing, riveting, and well-researched as any work of history that I have read in recent years.
Read MoreAn 1829 opera about Elizabeth I and her supposed lover — enlivened by underhanded threats, virtuous resistance, remorse, and an attempted poisoning — proves well worth reviving.
Read MoreSo now you know: Saddam’s fearsome weapon of mass destruction was a novel.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler