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Book Review: “Free” — A Communist Childhood

May 18, 2022
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With gentle humor and insight, Lea Ypi draws rich portraits of the three caring adults she grew up with in the authoritarian world of her childhood in Albania.

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Theater Review: “TJ Loves Sallly 4 Ever” — Scattershot Satire

May 8, 2021
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An exciting, subversive idea animates TJ Loves Sally 4 Ever.

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Book Review: “Christianity’s American Fate” — Too Much Double-Talk

October 9, 2022
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Religion is false, unscientific, and morally dubious, and any discussion that doesn’t take that as its starting point will end up going astray.

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Film Review: “Babysitter” — The Teaches of Peaches

September 7, 2022
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Babysitter tackles the ambiguities of misogyny head-on in a 35 mm sugar rush of magical suburban realism.

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Dance Review: Boston Ballet — Time After Time

September 10, 2018
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Jerome Robbins makes me think about how nonverbal characters can inhabit their times.

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Stage Review: Sonic Life on the Office Floor — The Bitter Truth

February 28, 2016
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Okada’s play reflects how skepticism has become the default stance for young adults shellshocked by post-recession economic restructuring.

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Film Review: “High-Rise” — Concrete Meltdown

May 13, 2016
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High-Rise‘s urban apocalypse is laid on thick. One wishes for a modern existence that is not quite so alienating.

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Visual Arts Review: Local Boy Makes Good at the Venice Biennale; Local Girl Perhaps Not So Much

June 24, 2015
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A mixed evaluation of the contributions of two New England artists — Joan Jonas and Mark Dion — at this year’s Venice Biennale.

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Book Review: Daniel Kehlmann’s “F” — An Amusing Look at Our Disjunctive Modern Life

September 24, 2014
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In F, vertigo is often palpable. Evil exists. “The terrifying beauty of things” does, too.

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Film Interview: Director James D. Cooper on “Lambert & Stamp” — Creating The Who

May 2, 2015
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Lambert & Stamp will resonate with musicians who have experienced the volatile give-and-take that is needed to sustain and nurture a rock and roll band.

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