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This wake-up call — what will artists be asked to do to please the powers-that-be? — is also a good read.
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A single listen to The Salt Collective’s album disabused me of my initial skepticism. The recording is as enjoyable and interesting as one would hope for from an effort featuring this gang of eight.
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Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
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Lyle C. May reminds us that large numbers of men sentenced to death have been exonerated, and that at every level the apparatus of the carceral state is erratic at best and dramatically biased against minorities and the poor.
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“POTUS” supplies plenty of political amusement as it pits savvy, competent women against the blithering males running the American government.
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While the experience is new and otherworldly, it was daunting to realize that it had taken over a decade for Compagnie Käfig’s exercise in cutting-edge art and technology to reach the hinterland of Jacob’s Pillow.
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John McLaughlin says that even if audiences haven’t heard Indian music before, they are catching on. “They feel what we feel,” he says. “We’re all walking the tightrope, and audiences follow.”
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Preoccupied with the little melodramas of their lives and their careers in the arts, the characters in”Afire” put off acknowledging the gathering disaster that might end up at their doorstep.
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Every few years a smart teen rom-com comes along that deftly puts a modern, and pleasingly iconoclastic, spin on a classic piece of literature.
Holiday Commentary: Making Room for the Stranger