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The series gives a fine overview of its selected artists, and it does an even better job of introducing the turbulence, torments, treasures, and trippiness of 1971 to audiences who didn’t live through it (or who can’t remember much of it, for whatever reason).
Read MoreAl Pacino, playing the title character, delivers his most impressive performance since he starred in Terrence McNally’s Frankie and Johnny a quarter century ago.
Read MoreIn this valuable book, Vincent Schiraldi firmly establishes that the people currently on parole or probation – as well as the community at large – would be better off and safer if both systems were to disappear.
Read MoreSamantha Fish is coming to the Cabot Theater on June 16. Her latest disc, produced by Jon Spencer, currently sits atop “Billboard”’s Blues Albums chart.
Read MoreGiven the tensions in our current political and social environment, conversations and alliances such as these, that generate respect through listening to the voices of others, is essential.
Read MoreThrough the efforts of the Boston Public Art Triennial, the City of Boston’s civic life and built environment have been enhanced and strengthened. Bravo!
Read MoreThe Cairnes brothers explore how the analog media trickery of a bygone era may illuminate our current obsession with what is real.
Read MoreLegally Blind contains sufficient satiric sting because it takes aim at the current fashion for musicals in which handicapped souls are healed.
Read MoreIt is not unusual for most series to hit a sophomore slump, but Hacks manages to avoid this fate, partly because of how deftly it expands on its original premise.
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Critical/Theater Commentary: Slapping Sleeping Media Outlets A “Woke”
Taking action on even a modest number of these suggestions will undoubtedly shake up the current puerility of much of American theater criticism.
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