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The Other Side comes off as a reserved, rather poignant glimpse into the lives of people who have very little to hope for.
Read MoreNot all musical retrospectives are a guaranteed success, since time can put rust on many a talent, but Stevie Wonder was ebulliently up for the challenge.
Read MoreThe audience, mostly gray-haired seniors and aging baby boomers, walked out with smiles on their faces, as did I.
Read MoreIn red gloves and dark glasses, popping and locking, the Wondertwins are both imposing humans and robotic objects, organic and mechanical reproduction.
Read MoreNeil Simon’s Last of the Red Hot Lovers wears surprising well after nearly half a century, with the help of minimal, subtle updating of topical references.
Read MoreWith a Stephen Sondheim show, it’s all in the casting, and Emmanuel Music’s casting was a mixed bag.
Read MoreBruce Springsteen’s “High Hopes” is a collection of covers, reinventions, and new recordings of odds and ends that have been kicking around for the past decade-plus.
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What happens when a dubious scientific experiment yields unexpected results?
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HBO’S Barry has finally started to hit its stride as a mirthfully dark comedy/drama.
Read MoreLucky is a showcase for Harry Dean Stanton’s unique talents, which primarily lie in his inhabiting roles as an amped-up or quirkier version of himself.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?