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Book Review: “August” — A Rewarding Curiosity in the Ordinary

April 4, 2020
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August is funny in a way — over time its small scale rhythms and monosyllabic reactions generate a comforting beauty that settles in.

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Blues Album Review: Robert Connely Farr’s “Country Supper” — Feed a Hunger for That Lonesome Delta Sound

December 19, 2020
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Country Supper is a beautifully produced album, a cohesive musical and artistic statement that will appeal to serious fans of the blues, country, and indie rock.

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Poetry Review: “The Mother House” — Poems with the Demeanor of Nuns

May 19, 2020
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In these poems, contemplation, serenity, and service are the order of the day.

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Film Review: “I Carry You with Me” — An Immigrant’s Epic Story of Sacrifice and Love

June 21, 2020
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The delicious cheekiness of the film is to present a story about two gay immigrants as a swooning romantic epic spanning years.

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The Arts on the Stamps of the World — May 19

May 19, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “Cry Havoc” — The Bard on War, and the Pity of War

September 15, 2016
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Cry Havoc’s message: We expend energy in preparing young men and women for war, but no effort in re-engaging them into the life of not-war.

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CD Review: Leonard Cohen — Embracing the Darkness

October 30, 2016
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At 82, Cohen seems to feel that there isn’t a lot of time left and that he has nothing to prove to anyone.

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Book Review: “The Book of Beginnings” — Vive les indifférences!

June 8, 2015
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This study is an attempt to “enter” a foreign way of thought and to study the “possibilities” and, by extension, “potential mindsets” of the human mind.

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Film Review: Benny Safdie’s “The Smashing Machine” Grapples with Pain, Power, and Self-Worth

October 2, 2025
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This is far from a conventional sports drama: it is a study of a man’s struggle for sense of personal worth and relevance

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Dance Interview: Rachel Linsky on Taking Holocaust Education Outside of the Jewish Community

January 23, 2023
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In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.

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