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Violinist Patricia Kopatchinskaja and conductor Teodor Currentzis are two of the most interesting figures in classical music today.
Read MoreWhat Ain Gordon’s play demonstrates is that even when records are indecipherable and incomplete, we still have the right, and perhaps the responsibility, to imagine what happened.
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What comes through most resonantly in Apples is its envisioning of a society starting over, and its suggestion that a clean slate, accepted honestly, might not be the worst thing.
Read MoreThis production of Shakespeare’s ‘The Merchant of Venice” tries to have it both ways: a show about intolerance, bigotry, and hatred is set in a ‘politically correct’ past.
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If, as a commemorative volume, “Fifty Poems” introduces readers to sample the German poet more extensively, either in the original or in the range of translations currently available, it will have accomplished a valuable task.
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Ken Ludwig’s stage version of Murder on the Orient Express is an enjoyable diversion.
Read MoreThere was an entire “New York School” that the punks were inspired by and a part of, whether they always wanted to be or not.
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Museum exhibitions take a long time to put together, and the circumstances that justify them at their inception sometimes evaporate by the time they appear.
Read MoreBenton’s art looks very much of its time, especially this selection of work that relates to cinema. Don’t let that fool you.
Reviews of three new documentaries at TIFF: My Imaginary Country, To Kill a Tiger, and Miucha: The Voice of Bossa Nova.
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