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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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Beyond its engaging plot and the tour de force performances by Olivia Colman and Jessie Buckley, The Lost Daughter is a gorgeous and sure-handed work of cinema.
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Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
Read MoreArts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
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Drawing on wide-ranging research and personal anecdotes gathered during the time he spent with the company, Robert Pranzatelli navigates us through the insouciance and absurdity of Pilobolus’ past.
Read MoreA recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the…
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Now an octogenarian, Ian Hunter remains a gifted songwriter, a distinctive vocalist, and a man who truly has a rock and roll heart.
Read MoreDoc Talk: The Newburyport Documentary Film Festival — One of the Strongholds for the First Amendment
As other outlets for reporting and investigating the truth are persecuted or succumb to pressure, the role of independent documentary filmmaking grows more urgent and vital.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
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Dance Commentary: Paul Taylor — Now You See It, Virtually
I’ve always believed that dance has a literature, much like music or drama. Dance’s literature consists of both ideas (choreography) and the execution of ideas (performance).
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