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We become increasingly aware that we are in the mind of a doctor who has taught himself to observe carefully, who has an amazingly strong will to survive, and who chooses not to waste precious time and energy on anger or revenge.
Read MoreThe overall prognosis for the Boston Symphony Orchestra is good. While there remains room for growth and improvement both artistically and financially, the Orchestra has the advantage of a solid musical reputation and a strong core of patrons who support its mission.
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Unfortunately, it’s becoming increasingly rare for Boston area theater companies to produce shows that are as deeply rooted in our local culture as this one.
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Michael C. Smith’s new Boston Carnival photo book proves that “Culture Lives Here.”
Read MoreMany of today’s arts editors and reviewers embrace a lilliputian vision of arts criticism; they accept a crabbed sense of its possibilities.
Read MoreMostly, Richard Polsky writes entertainingly about the art world in the American vernacular: cash. i sold Andy Warhol. (too soon) by Richard Polsky. other press, 288 pages, $23.95. Reviewed by Peter Walsh “The nature of the art business is that it’s filled with pettiness and jealousy…” complains art dealer Richard Polsky early in his new…
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In this book, readers are given a full taste of the lives of three complicated musical artists.
Read MoreWe have the obligation to look behind the music and the culture that glorified and perpetuated it.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Arts Commentary: What Makes a Critic Tick? Harvard Business School Hasn’t a Clue
I have read the Harvard Business School study about critics and it is clueless on so many levels about the craft and mechanics of reviewing that it is astonishing that major newspapers and magazines have taken it seriously.
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