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An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn early highlight of the upcoming Leonard Bernstein centennial is Sony Classical’s 25-disc box set.
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Hot Maroc is more of a three-ring circus than a drama, with a high-wire act at one end, tigers and elephants at the other, and scurrying clowns in the middle.
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This is a release that showcases many of Andris Nelsons’ strengths, including his strong sensitivity for instrumental colors, blends, and balances. At the same time, it also demonstrates the conductor’s hit-or-miss nature with the core repertoire.
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A.B. Yehoshua was anything but a provincial Israeli writer. He was literary giant whose imaginative gift was so striking and diverse that you never knew what he would do next.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The Seattle Symphony does right by Langgaard but not Strauss; Esa-Pekka Salonen’s Beethoven is micromanaged to death; Brandenburgisches Staatsorchester offers an ideal off-the-beaten-path Offenbach disc.
Read MoreLegendary music journalist Jules Siegel died of a heart attack on November 17, 2012 at the age of 77. There was no “New York Times” obituary, no mention in “Rolling Stone.” But to me, he was a rock star.
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Edward Loder’s well-crafted Raymond and Agnes (1855) captures much of the eerie glow of its Gothic model, Matthew Lewis’s once scandalous novel, The Monk.
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Fuse Music Commentary Series: Jazz and the Piano Concerto — Setting the Margins
This post is the first of 17 in an ambitious series examining the traditions and realities of classical piano concertos influenced by jazz.
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