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“Once people hear this music they do indeed come back for it – it is pleasing on so many levels: it soars, it soothes, it excites, it transports.”
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Our theater critics pick some of the outstanding productions of a year truncated by COVID-19.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Despite its flaws, “Dune: Part Two” is a grand, sprawling, and deeply intelligent science-fiction epic.
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Set in New York in the mid-’50s, “Trouble in Mind” is a backstage dramedy that draws on the genre’s interest in the ambiguities of role-playing to condemn racial bias.
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Amy Leach’s book may help you understand the rewards of Christian fundamentalism for its followers — and how much richer a non-fundamentalist life can be.
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The 51-minute piece represents a digital time capsule. It comprises 16 short episodes — reflections in movement of lives caught inside the pandemic — crafted by dance-maker collaborators.
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The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
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A pair of documentaries about the most popular guitar-driven instrumental bands of all time.
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Despite some glimmers of hope, By the Grace of God will not be an easy film for anyone — for loyal believers, for those disillusioned by the church, for anyone who has suffered from abuse.
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