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Dance Review: Bill T. Jones’ “Curriculum II” — Visceral Meditations on the Intersection of Race and Technology

April 21, 2023
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 Bill T. Jones/Arnie Zane Company’s Curriculum II is no intellectual exercise. It is a gut-wrenching journey into the heart of darkness, offset by flashes of compassion and light.

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Opera Album Review: Croatia’s Best-Known Opera, “Ero the Joker” — Folk Fun and Games

February 4, 2021
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Croatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.

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Classical CD Reviews: Uri Caine’s “The Passion of Octavius Catto,” Bernard Hoffer Chamber Music, and Igor Levit’s “Encounter”

December 11, 2020
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Uri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.

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Film Reviews: “Donbass” and “Babi Yar. Context” — Two Views of Destruction in Ukraine from Sergei Loznitsa

April 14, 2022
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Donbass is a powerfully gritty portrayal of thuggish aggression by people who felt empowered, with Russian support, to steal from, torment, and kill their neighbors.

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Jazz Album Review: “Artemis” — Inter-generational Jazz That Expands the Tradition

September 23, 2020
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This is state-of-the art modern jazz, alternately hard swinging, contemplative, commercial, and abstract.

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TV Review: “Ratched” — A Sensational Sartorial Folly

September 18, 2020
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Ratched is lurid, violent, sexually explicit, outrageous, and has nothing whatsoever to do with Ken Kesey’s novel or Milos Forman’s award-winning film adaptation.

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Author Interview: Tim O’Brien — The Sound of a Father’s Voice

October 16, 2019
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I wanted to give my kids this gift of a book about them and for them.

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Film Review: Hell is the Nervous Laughter of Tom Noonan — Charlie Kaufman’s Inscrutable “Anomalisa”

January 4, 2016
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Charlie Kaufman crafts worlds where people find love in unlikely places, and lose love so easily you’d think they actually want to be miserable.

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The Arts on the Stamps of the World — January 29

January 29, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: The Lyric Stage Company is not “Afraid of Virginia Woolf”

January 30, 2017
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Edward Albee’s bitter masterwork is a tough nut for a company to crack as well as a hard play to watch.

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