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Bill T. Jones/Arnie Zane Company’s Curriculum II is no intellectual exercise. It is a gut-wrenching journey into the heart of darkness, offset by flashes of compassion and light.
Read MoreCroatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.
Read MoreUri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.
Read MoreDonbass is a powerfully gritty portrayal of thuggish aggression by people who felt empowered, with Russian support, to steal from, torment, and kill their neighbors.
Read MoreThis is state-of-the art modern jazz, alternately hard swinging, contemplative, commercial, and abstract.
Read MoreRatched is lurid, violent, sexually explicit, outrageous, and has nothing whatsoever to do with Ken Kesey’s novel or Milos Forman’s award-winning film adaptation.
Read MoreI wanted to give my kids this gift of a book about them and for them.
Read MoreCharlie Kaufman crafts worlds where people find love in unlikely places, and lose love so easily you’d think they actually want to be miserable.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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