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Film Review: “Free Fire” — A Tsunami of Gunshots

April 22, 2017
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While calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.

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Theater Commentary: On “Absence” and the Presence of Understudies

February 27, 2014
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I had the opportunity to see two performances of Peter M. Floyd’s Absence at Boston Playwrights’ Theatre.

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Rethinking the Repertoire #8 – Sibelius’s “Night Ride and Sunrise”

March 5, 2016
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Surely the time has come for a major revival of Night Ride and Sunrise.

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Theater Review: “Baltimore” — Talking Isn’t Enough

February 15, 2016
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There’s nothing wrong with preaching the value of empathy — but who would argue?

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Book Review: “Twelve-Cent Archie” — A Highly Entertaining Look at the Teens of Riverdale

June 17, 2015
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What makes Twelve-Cent Archie such a congenial read is that Bart Beaty is a free thinker about comic books.

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Fuse in New York: “An American in Paris” and “Wolf Hall,” Parts One and Two

April 19, 2015
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Today’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.

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Rock Interview: Pat DiNizio of the Smithereens, “practically an honorary Boston band”

March 18, 2015
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“The kids in Boston accepted us unconditionally, and we hung out with everyone out there—Barrence Whitfield, the Bristols, the Del Fuegos.”

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Fuse Theater Review: ASP’s Compelling “Othello” — Taking a Different Tack

October 1, 2015
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ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.

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Book Review: Donald Antrim’s “The Emerald Light in the Air” — Unabashedly Gorgeous

September 2, 2014
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The Emerald Light in the Air is important reading for those interested in the state of the American short story, or of American fiction in general.

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The Arts on the Stamps of the World — June 10

June 10, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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