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These superb recordings provide ample proof that Oscar Hernández is at the pinnacle of his career as the leader of two divergent musical aggregations.
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The Eight Mountains offers peak entertainment.
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My second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.
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The artistic and design team at the Central Square Theater, in partnership with CHUANG Stage, have come up with an effective, thought-provoking 90-minute journey into a depressing aspect of the American story that was (and still is) rooted in xenophobia.
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Such a beautiful evening of music — two relatively concise sets, one an hour long, another a little less — adding up to an integral whole.
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The Most Hated Man on the Internet tells a legitimate story in which the good guys win, but there is no attempt to answer to any of the larger, uncomfortable, social questions the series raises.
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The playing on this 1979 album, which would generally be considered as flawed, is part of the singular (mature) Chet Baker gestalt.
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Mary-Beth Hughes’s penetrating glimpses into the depths of her characters’ lives make us more deeply aware of our own.
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To his credit, Kawaguchi is a canny enough craftsman to give the time tripping cliché a healthy spin.
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The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
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Holiday Commentary: Making Room for the Stranger