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As an aged Ira Aldridge, John Douglas Thompson creates a spellbinding picture of vulnerability and strength.
Read MoreWhether or not you’re familiar with Elizabeth Bishop or Robert Lowell, their worlds or their poetry, you should hasten to this show.
Read MoreThe tragedy of King Lear never takes hold because you know that soon someone is going to pick up an accordion and with a ‘Hey, Nonny Nonny’ dance those blues away.
Read MoreLike the great immigrant musicals, “In the Heights” touches on the tension between old and new cultures and generations, finding home, families and their expectations.
Read MoreViolinist Stefan Jackiw and pianist Anna Polonsky created another Rockport Music evening to remember.
Read More“Dallas Buyers Club,” though it does get decidedly sunnier once Ron is introduced to natural self-medication, which extends his life well beyond the projected thirty days, is not an open-and-shut case.
Read MoreHere you have it: Werewolves are horny, vamps merely thirsty. This, to be sure, is material to work with, as novelist Glen Duncan does. But I can’t help thinking about great nineteenth-century novels of involuntary transformation.
Read MoreROUND: Cambridge is a testament to what can be accomplished using smart phones, GPS coordinates and a Google map.
Read MoreTwo discs released by Harmonia Mundi benefit from the dramatic flair of conductor René Jacobs.
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Arts Fuse Appreciation: Ornette Coleman’s Horn of Plenty
So there was the Ornette Coleman Quartet, leading off the final side of vinyl with a cut that changed my life, “Lonely Woman.”
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