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Admissions is a successful comedy, but not quite the hot, scathing satire of ‘privileged whiteness’ one might gather from the ads. (Or from some of the local reviews.)
Read MoreAn unreliable narrator is a tough row to hoe for a fiction writer, but a narrator who doesn’t quite know what to think — that’s even harder ground to plow.
Read MoreFew companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
Read MoreUnderground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
Read MoreNo one would classify the National as “arena rock,” but Matt Berninger and the group proved at Agganis that they’re quite capable of filling an arena and then putting on a show worthy of the space.
Read MoreSaturday’s pairing demonstrated exactly the kind of risky programming the Boston Symphony Orchestra shouldn’t be afraid to explore, even when it doesn’t all quite come together.
Read MoreA best-seller in France, Emmanuel Carrère’s quirky, but ultimately compelling memoir examines the effects of two disasters on very separate groups of people to whom the writer is connected, at the beginning, quite peripherally.
Read MoreIt seems quite fitting for an artist of light to leave a gallery show filled with his distinctive multimedia light art. Memories of John Powell, like his art, will continue to glow, brightly.
Read MoreAside from the intrinsic entertainment value of these operas, they show Ravel in quite a different light than we are used to from his chamber and other orchestral music.
Read MoreIn these short films James Baldwin does not come off as a relaxed person, someone at ease with himself or quite comfortable in the world. You can feel the acute pain as he speaks.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler