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Boston Early Music Festival tossed a bang-up evening of performances on Monday night.
Read MoreMick Herron’s prose, it must be said, remains top-notch, chock full of puns and timely references, as well as colorful dialogue. But the premise of this successful series of espionage thrillers is beginning to show some wear.
Read MoreColin Carr supplied an extraordinary performance of Bach’s Six Cello Suites.
Read MoreAs Zeitgeist Stage Company closes its doors, it’s hard not to wonder, with some bitterness, what our plucky local small-scale theater troupes would be able to accomplish if they had the resources they need.
Read MoreBy Harvey Blume In an interview I did with Henry Louis Gates, Jr. in 1997 (for the now defunct “Boston Book Review”), we talked, naturally enough, about the issue of race in America, and about Gates’s sense of mission, as scholar and writer, in relationship to it. One thing in particular that he said sheds…
Read MoreOur demanding critics supply lists of books that piqued their interest this of the year.
Read MoreWynton Marsalis’ Swing Symphony is his third effort in the grand form.
Read MoreTwo upcoming releases of restored radio broadcasts offer so much good listening and so much deeply satisfying jazz that they deserve to share the spotlight. One of them is destined to be seen as a landmark document in jazz history.
Read MoreAt times I leave off my avid samplings of one entrancement after another in a great museum. Instead, I make a pilgrimage dedicated to a single work, such as John Singer Sargent’s intoxicating woman in white in “Fumée d’Ambre Gris” at the Clark Art Institute in Williamstown, Massachusetts.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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