Search Results: not fully awake first recording session interview June 2013 musician
Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreOur expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreWhat the few of us in Jordan Hall heard that night was a richly conceived and beautifully performed song cycle, mostly serious, but with some great wit in exactly the right places. It made for a fascinating and enlightening contrast to the CD version of “Vespers,” which Steve Lacy recorded in 1993.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreTwo upcoming releases of restored radio broadcasts offer so much good listening and so much deeply satisfying jazz that they deserve to share the spotlight. One of them is destined to be seen as a landmark document in jazz history.
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Jazz Review / Commentary: Brian Carpenter’s Ghost Train Orchestra and Some Notes on “Irony”
Brian Carpenter and the Ghost Train Orchestra are not about re-creating either hot jazz from the ’20s or novelty works from the ’30s and ’40s. They’re interested in capturing the spirit that they perceive to be inside these almost-forgotten pieces and using that spirit to make original new music.
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