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There were no performers who possessed more talent than singer-songwriter Nanci Griffith in the 1980s and early ’90s, when she was at her remarkable best.
Read MoreAcclaimed Irish writer Colm Tόibín has penned a strangely compelling tale, full of terror, heartbreak, and finally a tone of resignation and even depression.
Read MoreChoreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…
Read MoreArts Fuse critics select the best in film, theater, music, dance, and author events for the coming week.
Read MoreArts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreWith Returnal, Daniel Lopatin proves that noise can be beautiful and original. The album is a piece of (Neo?) New Age psychedelia, taking cues from the electronic experiments of the Berlin School. Returnal by Oneohtrix Point Never. Editions Mego By David Cooper In Returnal, Oneohtrix Point Never (OPN), aka Daniel Lopatin, advances the stagnant noise…
Read MoreThis recording of Jean-Baptiste Lully’s Psyché provides non-stop pleasure and delights, thanks to the latest developments in early-music performance practice.
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Arts Feature: Best Movies (With Some Disappointments) of 2025