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The creator of the series, Mike Judge, and his team have gone to great lengths to sweat the details of the corporate landscape of San Jose and its environs. Right from the start Silicon Valley rang true.
Read MoreHaving glittery, Bettie Page-y young women clad in leather and thongs undulate to music by Tom Waits is pretty much guaranteed to work.
Read MoreThe handsomely produced bilingual volume reflects a committed and passionate marriage of an exacting poet-translator and Yiddish poetry. With Everything We’ve Got: A Personal Anthology of Yiddish Poetry Edited and translated by Richard J. Fein. Host Publications, 218 pages. Reviewed by Anna Razumnaya Fortuitously, just before the publication of Richard Fein’s new anthology With Everything…
Read MoreFor those still perusing the shopping mall of controversies built around the Pollock Matter Affair (see past Fuse Flash and Anonymous Sources posts) another well-polished shoe (or more) may drop later this month at an International Foundation for Art Research (IFAR) symposium in New York City.
Read MoreDostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
Read MoreMany musicians know Paul Hindemith (1895–1963) as a somewhat dry composer who wrote a few operas as well as sonatas for every instrument and some half dozen for viola (he played both violin and viola extremely well). But real Hindemith has a cutting lyrical gift, much of it is on display in his kinky opera…
Read MoreAs a musical, Rock of Ages may not be an innovative or brilliantly written work of art, but the show’s delightfully cheesy enthusiasm, self-deprecating humor, and talented cast make it very hard to resist, especially for fans of 80s rock. Rock of Ages. Book by Chris D’Arienzo. Directed by Kristin Hanggi. Music Direction by Brandon…
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“Blancanieves” is not quite as charming as “The Artist,” but it’s less of a parlor trick, more sincerely a work of true silent cinema, 85 years after the dawn of sound.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler