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Although novelist Halle Butler portrays the lives of millennial women (and men) as unhappy, anxious, and stressed, she does so in a highly entertaining way.
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This collector is happy to have Luis Russell: At the Swing Cats Ball with all its faults.
Read MoreCut out of translucent and colored ox or donkey hide (sorry, PETA), they are foot and a half tall, two-dimensional figures operated by rods set up behind a slightly canted screen.
Read MoreGiven its its male-weepy genre, the “inspirational sports movie based on a true story,” Million Dollar Arm is surprisingly enjoyable.
Read More“The O’Briens” is a good sink-your-teeth-into read that explores the capricious nature of destiny with grace and humor and shows great compassion for its characters.
Read MoreFiber takes on two key aesthetic ideas — gravity and the grid — and one major sociological one, the way fiber arts were created and exhibited as part of a larger feminist agenda.
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That rarest of Opening Nights: a program that was mostly fun and entertaining, but also substantive and artistically satisfying.
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This is one of the year’s most heartwarming films; it is not sentimental, but projects a profound sense of resilient joy at its heart.
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Rethinking the Repertoire #2: Anna Clyne’s “Night Ferry”
Night Ferry proves to be an ambitious, absorbing score, filled with music of great color, vitality, and expression.
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