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A pianist with an uncommonly sensitive touch, Garrick Ohlsson’s playing encompasses poeticism and technical strength in just about equal measure.
Read MoreMadonna’s show made for spectacular eye and ear candy. But what was it all about? That’s where things got a little hazy.
Read MoreIn classic Revels style, the unexpected mix of talents results in a wonderful mash-up of comic schtick and classical performance.
Read MoreDespite the show’s darkness, “East 100th Street”‘s exploration of Harlem in the ’60s is in many ways a testament to the endurance of love.
Read MoreThe third and latest LP from indie singer-songwriter and composer Julia Holter proffers a vision of urban ecstasy.
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“Plastic” would have been much more effective if it had taken the form of an anime or a cartoon.
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We’ve got ourselves another winner in this ongoing Pittsburgh/Beethoven series. Warmly recommended.
Read MoreThe Matt Wilson Quartet prides itself on variety: the band can play ersatz Indian music, free jazz, and funky rhythm and blues, as well as an occasional touching ballad.
Read MoreNareh Arghmanyan is a personality and technique that thrives on performing Romantic music, and it was her Rachmaninov and Schumann that were most impressive on a recital that also featured the Second Bach Partita.
Read MoreBy Helen Epstein This Tanglewood season, overshadowed by the absence of ailing maestros James Levine, Seiji Ozawa, and others who have canceled their appearances, has got me thinking about age and illness. There have been some compelling concerts these past two months, including Michael Tilson Thomas’s riveting Mahler renditions, but the absence of a strong…
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Holiday Commentary: Making Room for the Stranger