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Director Paul Daigneault and SpeakEasy Stage have a hit on their hands
Read MoreAmong the most haunting aspects of Roman Polanski’s 1971 film version of Macbeth is his visceral depiction of the tragedy’s violence.
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The magic in Eliane Elias’s performances is in how easily she slips from one musical dialect into another.
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Bottom line: for all of “The Phoenician Scheme”‘s visual glories, the whimsical portrait of a shady arms dealer who becomes a mensch in the bosom of family rings hollow — especially at the present moment.
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Kari Percival’s greatest thrill? Reading How to Say Hello to a Worm aloud to kids whose faces “light up” as she turns the pages.
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Mary-Beth Hughes’s penetrating glimpses into the depths of her characters’ lives make us more deeply aware of our own.
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You will laugh at Uncut Gems, but you will leave the theater shaking.
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Buñuel in the Labyrinth of the Turtles is nothing if not provocative fodder for a cinematic niche: the animated feature sheds intriguing light on one of the major film directors of the 20th century at a pivotal time in his career. ,/em>
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Arts Remembrance: Maggie Smith
Maggie Smith’s finest and most memorable roles drew on her genius for dramatizing the emotional complexity of outsiders.
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