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In the first few days of our first visit to China, I was nonetheless unable to keep myself from formulating a hypothesis. In China the distinction between art, artifice and artificiality is not drawn as sharply as it is, at least in principle, in the West.
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Regardless of his age, Neil Young, now 79, can still rage.
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“Separated” is a compelling, urgent, and essential examination of an ongoing injustice that every American should see and ponder before going to the polls.
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Victoria Chang’s collection proffers a valuable invitation to readers to look at realms of the self that they would prefer to ignore.
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The band’s performance at the Sinclair proved that the Chameleons are back in vintage form.
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As these two films at the Wicked Queer Doc Fest indicate, being non-hetero-normative in a patriarchal society is unavoidably a political statement.
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The film beautifully captures a dreamy-nightmare aesthetic, suggesting that Priscilla’s life with Elvis was turbulent roller coaster of romantic highs and materialistic hollowness.
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In Infinity Pool, people who are dead inside essentially play with their own corpses as shiny, new toys. The savagery of that idea is, simply, delicious.
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This is a great book for anyone who wants to understand the early days of online communications.
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Dance Commentary: Is Dance Criticism Dead?
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
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