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The history lesson embedded in Bulgarian Rhapsody is subtle yet also packs a wallop.
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It’s quite clear that the fickle record-buying public really screwed up in the early ’70s; the Beach Boys were on top of their game.
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Katherine Heiny has a particular talent for opening lines: “Your elderly father has mistaken his four-thousand-dollar hearing aid for a cashew and eaten it.”
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This is a lyrical work: gracefully exaggerating reality is a merit that good poetry and fantasy share.
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“They were pieces of shit when we shot ‘em, but later on they became relics.”
Read MoreI’m deeply grateful to Arts Emerson for bringing the Maly Drama Theatre to Boston and hope for more.
Read MoreAlthough its interior says 21st century, the Shalin Liu Performance Center has a homespun, American 19th-century facade that made me think of Mark Twain and the provincial opera houses of the California Gold Rush. Care was taken to reference the original Haskins Building that once housed a clothing store called Madras and the local yacht…
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In this disc, Marcus King takes a step back from the big, hard-charging sound he has been pursuing to great effect with his namesake band over the past few years.
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Every exquisitely crafted line reflects the pull of a threatening body politic, the gravitational force of history.
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At his best — and there are indeed moments of that here — Keb’ Mo’ is a genre-bender who brings new listeners to blues, folk, and smooth soul music.
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