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Magic is a performative pursuit as demanding as high-wire acrobatics — yet a vocation lacking respect, perhaps for good reason.
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This horror comedy traps a cadre of privileged, narcissistic Zennials in a whodunit murder mystery and lets their internet-addled delusions of grandeur tear them apart in the paranoid fallout.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
Read MoreBeautifully produced by Seagull Books, The Pilgrim’s Bowl is an invaluable introduction to both painter and poet.
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A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.
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Thelonious Monk can sound like someone skipping (or even tripping) — and yet the swing is there.
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It’s welcome to have a Latino-centered Father of the Bride, but it’s debatable if we really needed one this clumsily put together.
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Hey, any string quartet that has performed and recorded with Chick Corea (in the album “Hot House”) is ok by me.
Read MoreThe astute filmmakers, Scott McGehee and David Siegel, seem not at all intimidated by Henry James’s formidable prose.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner